Find A Place To Touch
Tell me something I don’t know
dive deep into the honeycomb
excavate my secrets
lay me bare
give me more reasons to love you
Don’t touch there
that’s where the lies are buried
or here
or
anywhere really.
Tell me something I don’t know
dive deep into the honeycomb
excavate my secrets
lay me bare
give me more reasons to love you
Don’t touch there
that’s where the lies are buried
or here
or
anywhere really.
Niggas don’t read.
and if it didn’t occur to you that all niggas ain’t black
stop reading this.
Why weren’t they allowed to read…
because within the ability to comprehend words
would develop the zealous desire to learn
to think
to be equal
which would breed uprising and defiance.
Why do people not like to read anymore?
Once I got a postcrad from the Fiji Islands
with a picture of sugar cane harvest. Then I realized
that nothing at all is exotic in itself.
There is no difference between digging potatoes in
our Mutiku garden
ans sugar cane harvesting in Viti Levu.
Everything that is is very ordinary
or, rather, neither ordinary nor strange.
Far-off lands and foreign peoples are a dream,
a dreaming with open eyes
somebody does not wake from.
It’s the same with poetry–seen from afar
it’s something special, mysterious, festive.
No, poetry is even less
special than a sugar cane plantation or potatoe field.
Poetry is like sawdust coming from under the saw
or soft yellowish shavings from a plane.
Poetry is washing hands in the evening
or a clean handkerchief that my late aunt
never forgot to put in my pocket.
–Jaan Kaplinski, Estonia
translated by Riina Tamm, and Sam Hamill
i love you ginger bread mama
ginger bread mama
all sweet and brown
love you
more than tired boys
love collard greens and candied yams
more than new watermelons
do the sun.
before you,
i was older
and owned a sky of sleep
and not even cowboy dreams
were poets enough to wish me you.
now in brownness warm
everything is everything and
our forms move in soft affirmations.
trying not to wake up the sun.
–Doughtry Long

theawards.co/wp-content/uploads/2014/04/OscarDelmar12.jpg
you read me
like an open book, plainly
so playfully
i shrug it off
summarize all my lines
you see me clearly
like prescription glasses
you compliment me
though we’re hardly ever in sync
even on pizza toppings we disagree
yet
you will always fight for me
so put down your fists
i will be your gift, shield, and armor
I am a
black woman
my parents migrated from Paris
i speak three languages
i struggle everyday to raise my children
braid hair, day in and out
They call me Mama
I am a
turkish woman
in Germany, i want to pass on my customs
there are others like me
pushed into neighborhoods while our foods feed their stomachs
sometimes
They call me Outcast
I am
pakistani
i came to america a woman
praying on my knees to keep my sons free
my youngest shouts of foot baller dreams
i’ll go home one day and he’ll be there
They call me Hopeful
I am a
woman
i spend nights on the underside of the italian rivera
my smile is ethereal
no matter where i rome
They call me Real Sweet
Search for a clue,
a will to write with a purpose
while my audience dies.
I am an ancient breed
that believes in a key.
Mull around for the moment of miracles,
children,
when
dreams are borne into reality.
Quickly
the present’s presence is temporary
a green siren in the distance
promised me golden sunflowers
if I failed
I just want this life to mean something
Zineb Sedira pulls you into this eerie and moving art installation featuring a poetic short film.
President Obama speaks and is joined by renowned poet, Youssef Biaz reciting ‘Mrs. Krikorian’ for a celebration of Poetry Out Loud at the White House.