Labor Day in Brooklyn 2018

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King’s Chef at Halal Stand

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Sugar cane

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Officer Alfonzo and his batman obssession

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Gov Cuomo and the Rev Al Sharpton

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Utica Avenue

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Utica Avenue: Transformers Addition

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11th Annual Honk NYC Music Fest Kickoff At The City Reliquary Museum

When’s the last time you heard an all brass brand play The Game of Thrones theme song and then seamlessly shift into the polka version of Britney Spears’s Toxic? No? Shame on you.

The 11th annual Honk New York City marching band festival officially kicked off with a packed yard and an explosion of music, food, and dancing, at the legendary City Reliquary Museum in Bushwick.

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The City Reliquary Museum yard and the Nevermind Orchestra starting the show at the Honk NYC festival.

Honk NYC is the gathering of street and marching bands locally and nationally, and in some cases internationally, to perform instrumental music for diversified audiences. Shows will be from October 10th to the 15th, spanning the city from Staten Island to Harlem with a guest spot in New Jersey. The bands playing at the event were The Nevermind Orchestra, The L Train Brass Band, and the New Creations Band.

According to Sara Valentine, Honk NYC Festival Steward and Co-Founder, the festival started out as an accident. It was a dinner party and a subsequent after party between rather talented friends, namely the Hungry March Band, that snowballed into three years’ worth of musical bashes before it became official. It is now the festival’s 11th year visiting the city from its original point in Boston.

“It’s accessible,” said Valentine on why she thinks marching band music in particular is so successful, “Can happen anywhere. It’s history. And it’s likely you’ve played that instrument as a kid.”

As of May 2016, the U.S Department of Labor reported that New York is the second highest employer of musicians and singers that play one or more musical instruments or sing; perform on a stage; and that perform for on-air broadcasting, or for sound or video recording.

Emily Smith, of the Seattle-based Filthy Femcorps band, said, “Marching bands, we’re a community.” She as well as several of the members of the performing bands actively participate in multiple or each other’s bands, fostering a real sense of unity among the musicians.

The bands certainly kept up the playful atmosphere among the functional tree house and bar located in the wide, ornate yard behind the museum. The New Creations Band that closed out the celebrations had a saxophonist that literally lit his instrument on fire as a final shocking note

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New Creations saxophonist that lit his instrument on fire as a final performance act.

Musical selections ranged from comical Friday the 13th songs to traditional New Orleans big band classics. There was even an original composition such as L Train Brass Band member Ryan Hall’s Bushwick, which encompasses the groove, people, and general weirdness of his favorite neighborhood.

“You see who’s here. White, Black, Asian people. Every culture has a grass band tradition,” said Valentine. More than anything she expressed that the festival’s mission is about making connections, not through social media or cell phones, but in real life with music across all backgrounds.

I Know You Rest In Peace

Maya Angelou, my hero, died at age 86 in her beautiful home in North Carolina today.

“She lived a life as a teacher, activist, artist and human being. She was a warrior for equality, tolerance and peace,” said her son, Guy B. Johnson.

Her poem “Still I Rise,” was the first I ever recited, ever memorized, ever performed, and ever loved. As a kid her words found me in a dark place when no one else’s did, and continue to inspire me to rise beyond who I was. My only hope is that she passed knowing that she moved countless generations to poetry, and that she fermented a love of language that could leap oceans.

Inaugural, outstanding poet, will never cover how much Maya Angelou meant to the literary community. Her life and works awe millions. So I challenge you this day, in honor of a woman who was always more than just a poet, to rise above and believe that words can make a difference. In truth, they are the only things that have ever infected and effected change.

 

Still I Rise

Maya Angelou, 1928
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.Maya Angelou in Oil