Thought of You
This amazing and profoundly poetic display of animated choreography, directed originally by Ryan Woodward, shows a love story between a man and woman.
This amazing and profoundly poetic display of animated choreography, directed originally by Ryan Woodward, shows a love story between a man and woman.
He debated whether
as a poet
to have dreams and beans
or as a physician
have a long car and caviar.
Dividing his time between both
he died from a nervous breakdown
caused by worry
from rejection slips
and final notices from the Finance company.
–Frank Marshall Davis
Excellent use of alliteration in this introductory monologue from V for Vendetta.
Aja Monet presents her spoken word, check out her other videos at http://urbanbushbabes.com/poetperformer-aja-monet/
Why are our ancestors
always kings and princes
and never the common people?
Was the Old Country a democracy
where every man was a king?
Or did the slave-catchers
steal only the aristocrats
and leave the fieldhands
laborers
street cleaners
garbage collectors
dish washers
cooks
and maids
behind?
My own ancestor
(research reveals)
was a swineherd
who tended the pigs
in the Royal Pigstye
and slept in the mud
among the hogs.
Yet I’m as proud of him
as of any king or prince
dreamed up in fantasies
of bygone glory.
–Dudley Randall
Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages,
aches, and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I
loved you
–Gwendolyn Brooks
Rudy Francisco, through spoken word, opens up about a past relationship.
because of the color of my skin
You are disgusted by my
supposed inferiority
You act like a devil wielding a whip
because of the way I move and think and speak
and sing
No
you hate me
because of my pride
strength to work in the blisterin sun
to take a hit and keep on comin
my ability to capture the rhythm of the beat
to have good times when shit’s all bad
to keep my head up when I should feel sad
because I step like a Queen
even though you beat mock torture and abuse
my body but not my soul
No, tell the truth
you
fear me.
The walls of this house
feel so cold now
The warmth and happiness
held in these
dark colored halls have
been stripped away
like a child peeling a banana
painted over with white
covering and blocking out
making these floors strange to me
everything changed
all old is gone
taking with it my precious memories