A Wasp Woman Visits a Black Junkie in Prison

After explanations and regulations, he
Walked warily in.
Black hair covered his chin, subscribing to
Villainous ideal.
“This can not be real,” he thought, “this is a
Classical mistake;
This is a cake baked with embarrassing icing;
Somebody’s got
Likely as not, a big fat tongue in cheek!
What have I to do
With a prim and proper-blooded lady?”
Christ in deed has risen
When a Junkie in prison visits with a Wasp woman.

 

“Hold your stupid face, man,
Learn a little grace, man; drop a notch the sacred shield.
She might have good reason,
Like: ‘I was in prison and ye visited me not,’ or—some such.
So sweep clear
Anachronistic fear, fight the fog,
And use no hot words.”

 

After the seating
And the greeting, they fished for a denominator,
Common or uncommon;
And could only summon up the fact that both were human.
“Be at ease, man!
Try to please, man!—the lady is as lost as you:
‘You got children, Ma’am?’” he said aloud.

 

The thrust broke the dam, and their lines wiggled in the water.
She offered no pills
To cure his many ills, no compact sermons, but small
And funny talk:
“My baby began to walk… simply cannot keep his room clean…”
Her chatter sparked no resurrection and truly
No shackles were shaken
But after she had taken her leave, he walked softly,
And for hours used no hot words.
–Etheridge Knight

#BlackGirlMagic

‘Mahogany L. Browne is a poet and author coordinating the Women of the World Poetry Slam at New York’s Pratt Institute. She gives her Brief But Spectacular take on “Black Girl Magic” and the struggles facing African-American women in modern society’.

Why Worry Of Tomorrow:Part 2

I hear her running at break neck speed

over mountains and cliffs

praying the wind will catch her wings

spread eagle

as flying Africans

no constraints up here

no heavy palmed emotions to hold me

no responsibility to weigh me

no time to track me

no more voices in my inner ear

The wind’s so thick

that I can only hear the music

my breathe humming

syncing with my heartbeat

up here

all concepts and constructs are a myth

among cumulus clouds

I wait with patience

Why Worry of Tomorrow: Part 1

why worry of tomorrow 

with wrinkles from the past

head pounding

heart racing

sweating happiness and pain

fear and joy

hollow rage

clump within, pits of writhing emotion

I stabbed my shoulder to flick the chip out

the remnants dissipate into the blood stream

what is normal

what is today

the present’s absence boils the curd to the surface

I wear the feelings on my skin to keep the secret

I scrub them off every morning 

watch them clog the drain

time whips 

demands attention in all directions

like erections in sleep 

work fades, a monotonous track on repeat

deep introspection

leaves me wallowing inside

replaying lucid memories and poetry

while the world moves around me

I’m never awake

I never left the theater 

the lights are all dimmed

there’s popcorn at my feet next to the sticky candy treats

I’ve been watching this movie for two decades

hoping the heroine will change

rearrange the free floating feelings flowing through

her veins, heroin

misplaced purpose

I scream, don’t just lay there at the screen

unball your fist

dismantle that smile 

save yourself from the sins of your fathers

 

 

 

 

Among Women

What women wander?
Not many. All. A few.
Most would, now & then,
& no wonder.
Some, and I’m one,
Wander sitting still.
My small grandmother
Bought from every peddler
Less for the ribbons and lace
Than for their scent
Of sleep where you will,
Walk out when you want, choose
Your bread and your company.

 

She warned me, “Have nothing to lose.”

 

She looked fragile but had
High blood, runner’s ankles,
Could endure, endure.
She loved her rooted garden, her
Grand children, her once
Wild once young man.
Women wander
As best they can.
–Marie Ponsot

The Country Autumns

But it could not be brought to see what it
could be brought. And the leaves are
away again, teamed. A parent at the
last and a parent in the middle. And
as stones I thought it right.

 

Two plates, and on the other side all the
forest pieces. The clock says stay.
The books lower the earth, and in gardens
flat stones spin. The volume was of waiting.
Today is today, until the preposition taken up.
Next to the tree sways.
The sky in pieces the leaves part the
leaves piece together. To and from a hand
given all directions. The bark comes from
below. Takes from the books of the moves under
the sky. Speaker holds up the talks held last.
Motors the dust and the yellow syllables.
A slant on which was never here or
only partly.
–Clark Coolidge